The exhibition Making Use: Life in postartistic times is engaged with the various avenues that lead from the field of art to daily life and in the reverse direction—from life to art.
An engagement with the status and competences of the individuals and collectives who work with what has been thus described as the postartistic age animates this exhibition. In a world that requires a redefinition of the individual’s obligations to the community and the new global challenges of migration, economic crisis, armed conflicts, and environmental threats — multifarious questions emerge. How can artistic competences achieve an impact on reality? Do they always have to materialise as artworks? What role can the museum play in a situation where art radiates to non-artistic environments, and in so doing, loses the characteristics that distinguish it as art?