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Response by FA and Forensis to Tageszeitung article

13 Mar 2024

Ovaherero Traditional Authority (OTA) and the Nama Traditional Leaders Association (NTLA) statement of solidarity with Palestinians and those working in their defence in Germany

16 Jan 2024

First Solo Exhibition from the Al-Haq Forensic Architecture Investigation Unit Opens at UCSC

12 Jan 2024

Eyal Weizman at the Berlin Biennale

23 Jun 2022

Forensic Architecture stands with Palestine (Whitworth exhibition statement)

17 Aug 2021

Statement on the IOPC’s refusal to re-open the IPCC investigation into the killing of Mark Duggan

01 Jun 2021

Introduction to EW Hrant Dink Memorial Lecture by Eyal Weizman, Boğaziçi University

10 Feb 2021

An update on the case of Tahir Elçi’s killing

21 Oct 2020

Relaunching our newsletter

18 May 2020

A Note on the Covid-19 Pandemic

15 May 2020

For Michael Sorkin

29 Mar 2020

Joint statement on the ongoing violence at the Greece-Turkey border

05 Mar 2020

A statement of solidarity with the UCU strike action

20 Feb 2020

"Homeland Security algorithm” prevents me from joining you today: A statement from Eyal Weizman

20 Feb 2020

Douma and the OPCW leaks

07 Feb 2020

A statement regarding our exhibition in the Khalil Sakakini Cultural Center, Ramallah

31 Dec 2019

A statement on the fifth anniversary of the enforced disappearances in Ayotzinapa

26 Sep 2019

Statement from Forensic Architecture and Praxis Films concerning the 2019 Whitney Biennial

23 Jul 2019

Eyal Weizman elected Fellow of the British Academy

19 Jul 2019

MatchKing: Warren B. Kanders, Sierra Bullets, and the Israel Defense Forces

14 May 2019

TRIPLE-CHASER: Forensic Architecture and Praxis Films at the 2019 Whitney Biennial

13 May 2019

Announcing Mtriage

29 Apr 2019

Statement from Forensic Architecture on the arrest of Julian Assange

16 Apr 2019

Forensic Architecture will exhibit at the Whitney Biennial 2019

27 Feb 2019

New: Current Vacancies Page

16 Oct 2018

Press coverage of Turner Prize 2018 announcement

27 Apr 2018

Forensic Architecture is nominated for the 2018 Turner Prize

26 Apr 2018

Forensic Architecture wins 2018 Princess Margriet Award for Culture

24 Apr 2018

New project launched on the Grenfell Tower fire

21 Mar 2018

Forensic Architecture a Finalist for the Vera List Center Prize for Art and Politics 2016-2018

31 Oct 2017

Our Response to the Hessen Parliamentary Inquiry

19 Sep 2017

Gallery: Forensic Architecture exhibition opening at The MUAC

12 Sep 2017

Ayotzinapa Case Launch

06 Sep 2017

FA Summer 2017 Newsletter

11 Aug 2017

Eyal Weizman to deliver 18th Neelan Tiruchelvam Memorial Lecture

17 Jul 2017

New preface to "Hollow Land" marks 50th anniversary of occupation

17 Jul 2017

New Exhibition Catalogue from Forensic Architecture

10 Jul 2017

Forensic Architecture selected as a Finalist for the INDEX: Award 2017

19 Jun 2017

Forensic Architecture accepts Peabody-Facebook Award at ceremony in New York City

30 May 2017

Listen Now: Eyal Weizman interviewed for The Funambulist

17 May 2017

Kassel_6.April.2006: German Press Coverage

04 May 2017

Forensic Architecture featured in Architect Magazine

02 May 2017

Saydnaya wins Peabody-Facebook Futures of Media Award for Interactive Documentary

02 May 2017

Saydnaya Wins Digital Dozen 2016 Award for Breakthroughs in Storytelling

12 Apr 2017

Forensic Architecture Featured in Wired Magazine

02 Jan 2016

Forensic Architecture in Mondoweiss

16 Mar 2015

James Burton reviews 'Forensis'

04 Mar 2015

Battir Wins Case Against the Wall

04 Mar 2015

Alberto Toscano Reviews 'Least of All Possible Evils'

04 Mar 2015

'Forensis' Reviewed in Artforum

04 Mar 2015

'Forensis' Reviewed in Radical Philosophy

02 Mar 2015

Forensic Architecture in the New York Times

10 Dec 2014

"Where the Drones Strike" wins Bronze Lovie Award

14 Oct 2014

Liquid Traces: The Left-to-Die Boat Case

22 Sep 2014

Forensic Architecture in the New Statesman

16 Sep 2014

The Architecture of Violence

05 Sep 2014

Forensic Aesthetics Masters Series

13 Jun 2014

Law on Trial - Panel Discussion on "Forensic Futures"

13 Jun 2014

"Timely Measures" - Symposium at SOAS, University of London

13 Jun 2014

Forensic Aesthetics Exhibited in Krakow

27 May 2014

New Research on Drone Targets in Pakistan

27 May 2014

"Constructions of Truth In A Drone Age": Forensis/HKW reviewed in Rhizome

01 Apr 2014

Forensis and HKW Press Coverage

24 Mar 2014

The Architecture of Public Truth – Conference at HKW

11 Mar 2014

UN SRCT final drone strikes report and platform released

11 Mar 2014

FORENSIS exhibition opening at HKW Berlin

10 Mar 2014

FA / SITU investigation into drone strikes informs report presented at UN

25 Oct 2013

Modelling Kivalina nominated for Human Rights Tulip Award

11 Oct 2013

Documentrary on Omarska

17 Aug 2013

Forensic Oceanography: Addendum to the Report on the Left-to-Die Boat

18 Jun 2013

Burden of Proof - On Contemporary Art and Responsibility

25 Mar 2013

UN SRCT Launches Drones Investigation

24 Jan 2013

10th Human Rights Festival - Interview with Thomas Keenan

14 Dec 2012

London Review of Books: Eyal Weizman's "Short Cuts"

24 Nov 2012

The Left-To-Die Boat - BBC Documentary

29 Oct 2012

The Last Pictures - Talk by Trevor Paglen

25 Oct 2012

Reading Images 01: Socialist Architecture

16 Oct 2012

Book Review by Joshua Simon: "A Culture of Things" in Domus

10 Oct 2012

Architecture as Political Intervention: Interview with Eyal Weizman

21 Sep 2012

Coverage: Geographical Imaginations

08 Aug 2012

Omarska Concentration Camp

06 Aug 2012

MARA at dOCUMENTA (13)

31 Jul 2012

Bruno Latour at the Centre for Research Architecture

25 Jul 2012

Memorial in Exile - Press Responses

20 Jul 2012

Syria: Torture Centres Revealed

03 Jul 2012

WatchTheMed Platform

02 Jul 2012

openDemocracy: "A memorial in exile in London’s Olympics: orbits of responsibility"

02 Jul 2012

A Memorial in Exile - Press Conference

20 Jun 2012

Forensic Oceanography Report - Press Responses

01 May 2012

Forensic Oceanography Report Released

11 Apr 2012

"Mengele's Skull" in Longform's guide to war criminal stories

21 Jan 2012

Forensic Oceanography report published in The Guardian

11 Apr 2011

Previous ArticleNext Article

MARA at dOCUMENTA (13)

31 Jul 2012

Members of the Centre for Research Architecture organize a roundtable discussion at dOCUMENTA(13) in Kassel, Germany.

On July 31, 2012, members of the Centre for Research Architecture will present work generated during the MA in Research Architecture program at Goldsmiths, University of London. Selections of projects by Eva Dietrich, Irmelin Joelson, Helene Kazan, Steffen Krämer, Hannah Meszaros-Martin, Daniel Fernández Pascual, and Corinne Quin will be discussed in a forum moderated by Chris Molinski.

This forum takes place in collaboration with “Winning Hearts and Minds,” one of two projects by Critical Art Ensemble at dOCUMENTA(13), in a house at the far end of the Hauptbahnhof (close to the railway tracks).

Since it was established in 1955, documenta has evolved to become one of the most important international exhibitions of contemporary art.
The exhibition takes place every five years, and runs for 100 days, involving more than 300 participants and attracting hundreds of thousands of visitors to Kassel.

The MA in Research Architecture program brings together a multidisciplinary mix of architects and spatial practitioners at Goldsmiths, University of London, for a year-long program of theoretical inquiry. Drawing on the vocabularies of urbanism, architecture, art, media, politics, and philosophy, the centre uses spatial practice as an open-ended form of research.

To learn more about the project, or to get directions or documentation of presentations, please contact Chris Molinski at vc103cm@gold.ac.uk

_____________________________________________________________________________

We caught up with Chris Molinski, MA Research Architecture, ahead of the event…

How did the opportunity to present at dOCUMENTA come about?

Our opportunity to present at dOCUMENTA came about as a result of the group Critical Art Ensemble, who are hosting an open forum called “Winning Hearts and Minds” over the course of 100 days, as one of two projects they produced for the exhibition.

Critical Art Ensemble sent out an open call for participants (they are hosting a different presentation each day) and we were able to reserve space in the presentation schedule. The Centre’s focus falls directly in line with the work that Critical Art Ensemble promotes, especially how Research Architecture addresses issues of political ecologies, conflict and human rights, so they were excited by our proposal and welcomed us to use their space.

What will you and your cohort be presenting on?

Students from MA Research Architecture will take the opportunity to present parts of MA projects that each student has been pursuing over the course of the school year. The Research Architecture course is structured as a year-long investigation where students are free to create their projects in any way. The Centre meets each week to discuss these projects in a roundtable forum, a literal round table at Goldsmiths, but the format has often been transported outside of Goldsmiths to become part of temporary site-visits and events. We are temporarily transporting the roundtable format to dOCUMENTA, where several of the MA students will meet to discuss their MA projects.

We expect to have a wide range of presentations: Steffen Krämer will be presenting selections from his project “Placing Immunity” and Daniel Fernandez Pascual will be making a geopolitical gazpacho.

What aspect of the event are you most looking forward to?

It’s truly remarkable what Critical Art Ensemble has enabled by opening up their project for this kind of participation. I’m really looking forward to seeing the other projects and starting a conversation about our work. We are honoured to be part of such an open, experimental forum, and I think we are all just looking forward to being in Kassel and taking the opportunity spend time at dOCUMENTA.

ClosePrevious ArticleNext Article

MARA at dOCUMENTA (13)

31 Jul 2012

Members of the Centre for Research Architecture organize a roundtable discussion at dOCUMENTA(13) in Kassel, Germany.

On July 31, 2012, members of the Centre for Research Architecture will present work generated during the MA in Research Architecture program at Goldsmiths, University of London. Selections of projects by Eva Dietrich, Irmelin Joelson, Helene Kazan, Steffen Krämer, Hannah Meszaros-Martin, Daniel Fernández Pascual, and Corinne Quin will be discussed in a forum moderated by Chris Molinski.

This forum takes place in collaboration with “Winning Hearts and Minds,” one of two projects by Critical Art Ensemble at dOCUMENTA(13), in a house at the far end of the Hauptbahnhof (close to the railway tracks).

Since it was established in 1955, documenta has evolved to become one of the most important international exhibitions of contemporary art.
The exhibition takes place every five years, and runs for 100 days, involving more than 300 participants and attracting hundreds of thousands of visitors to Kassel.

The MA in Research Architecture program brings together a multidisciplinary mix of architects and spatial practitioners at Goldsmiths, University of London, for a year-long program of theoretical inquiry. Drawing on the vocabularies of urbanism, architecture, art, media, politics, and philosophy, the centre uses spatial practice as an open-ended form of research.

To learn more about the project, or to get directions or documentation of presentations, please contact Chris Molinski at vc103cm@gold.ac.uk

_____________________________________________________________________________

We caught up with Chris Molinski, MA Research Architecture, ahead of the event…

How did the opportunity to present at dOCUMENTA come about?

Our opportunity to present at dOCUMENTA came about as a result of the group Critical Art Ensemble, who are hosting an open forum called “Winning Hearts and Minds” over the course of 100 days, as one of two projects they produced for the exhibition.

Critical Art Ensemble sent out an open call for participants (they are hosting a different presentation each day) and we were able to reserve space in the presentation schedule. The Centre’s focus falls directly in line with the work that Critical Art Ensemble promotes, especially how Research Architecture addresses issues of political ecologies, conflict and human rights, so they were excited by our proposal and welcomed us to use their space.

What will you and your cohort be presenting on?

Students from MA Research Architecture will take the opportunity to present parts of MA projects that each student has been pursuing over the course of the school year. The Research Architecture course is structured as a year-long investigation where students are free to create their projects in any way. The Centre meets each week to discuss these projects in a roundtable forum, a literal round table at Goldsmiths, but the format has often been transported outside of Goldsmiths to become part of temporary site-visits and events. We are temporarily transporting the roundtable format to dOCUMENTA, where several of the MA students will meet to discuss their MA projects.

We expect to have a wide range of presentations: Steffen Krämer will be presenting selections from his project “Placing Immunity” and Daniel Fernandez Pascual will be making a geopolitical gazpacho.

What aspect of the event are you most looking forward to?

It’s truly remarkable what Critical Art Ensemble has enabled by opening up their project for this kind of participation. I’m really looking forward to seeing the other projects and starting a conversation about our work. We are honoured to be part of such an open, experimental forum, and I think we are all just looking forward to being in Kassel and taking the opportunity spend time at dOCUMENTA.